HISTORICAL BOOK REVIEW SERIES: ‘Richard III: Loyalty Binds Me” by Matthew Lewis

King Richard III remains one of the most controversial figures in British history. Matthew Lewis’s new biography aims to become a definitive account by exploring what is known of his childhood and the impacts it had on his personality and view of the world. He would be cast into insecurity and exile only to become a royal prince before his tenth birthday.

As Richard spends his teenage years under the watchful gaze of his older brother, Edward IV, he is eventually placed in the household of their cousin, the Earl of Warwick, remembered as the Kingmaker; but as the relationship between a king and his most influential magnate breaks down, Richard is compelled to make a choice when the House of York fractures. After another period in exile, Richard returns to become the most powerful nobleman in England. The work he involves himself in during the years that follow demonstrates a drive and commitment but also a dangerous naïveté. 

When crisis hits in 1483, it is to Richard that his older brother turns on his death-bed. The events of 1483 remain contentious and hotly debated, but by understanding the Richard who began that year, it will become clearer what drove some of his actions and decisions. Returning to primary sources and considering the evidence available, this new life undoes the myths and presents a real man living in tumultuous times.

cover and blurb via Amberley Publishing

~~

I have to be honest, I am very much Ricardian. I can’t tell you how many times I’ve watched Richard III get vilified by Shakespeare (well, by 21st century actors, anyway) and barely contain my rage.  I don’t think Richard is perfect, a completely impeachable hero (no one is), but I also don’t think him a child-killing villain. There are few like Richard, a man who had suffered a great deal in a short time before his fateful battle at Bosworth. And it takes an author as fine as Lewis to dig into the details of Richard’s life. Most books either love or hate Richard, whereas this writer doesn’t go down either road, and instead gives us an insight into the mind of a man who became king, lost his own family, and then was overthrown by a man with a flimsy claim. Richard was a king, now a legend, but he was also just a man, and here is a book where we finally get to meet Richard. I moved books around on my Richard shelves to make room for this biography before it even came out.

While many books write about 1483 onwards, so much happened in Richard’s life leading up to the crown. The first half of the book digs deep into Richard, those in his life, the battles he fought, his ideals in life and religion, all as he grew into the king people focus on now. Much happened to Richard in his short life – overcoming a spinal deformity would have shaped his thoughts. He grew up around powerful people, like the Nevilles, who would do anything for power. Richard was prepared to lay down his life for his brother Edward, and yet his brother George betrayed them both, harm which would cause a wound that could never truly heal. Edward was king on the back of Richard’s hard work, and Richard ran the north in England and kept an eye on Scotland for his sovereign, all before the age of thirty.

But when King Edward died in April 1483, all the moments in Richard’s life which shaped him would come in play. The next three months have been debated since the moment they happened, but this book gives a reader a more detailed insight into why Richard acted as he did, thought as he did. It seems Richard was neither a murderous villain desperate for power, or an innocent caught up in a disaster. The illegitimacy of the Princes in the Tower is well discussed too, whether Richard was fooled, or did he simply miss important details, or was he the master? I can’t tell you, because spoilers, but the murky situation and Richard’s handling is a reflection of many events long before the mess with the Princes. Another important detail in the events of 1483 is the death of Hastings, a particular favourite subject of mine. Again, in the interest of spoilers (as in the excellent research on Lewis’ part) I won’t share all that is written, but the whole situation felt fresh to me, a tough feat after 500 years and a whole lot of writing on the subject.

Richard’s life went from a powerful ruler in the north after years of fighting, to having brother George executed, to his brother Edward dead before his time, to being thrust onto the throne, to his nephews disappeared, to his precious wife and son dead from illness, to betrayal by men he trusted… how much can one man take in only a few years? By the time Richard faced Henry Tudor at Bosworth, Richard’s life was circling the drain, yet he remained confident of victory. This book talks of Richard in a positive way, without soundly like it is gushing with adoration; rather, it shows the whole life of an extraordinary man. England could have had a fine king, had Richard been given the chance.

This book is worthy of five stars. Matthew Lewis wrote The Survival of the Princes in the Tower not to long ago, one of the best books I’ve ever read. Loyalty Binds Me is an excellent addition to any library. Imagine saying you like Richard III but don’t have Lewis in your collection?

Advertisements

Celebrate Thomas Cromwell’s fictional birthday with half-price novels

While Thomas Cromwell’s birthdate is unknown, we do know he was born in circa. 1485. So, for the purposes of writing Cromwell fiction, I placed his birthday in November. Which means, for November, you can buy Queenmaker Book One, FRAILTY OF HUMAN AFFAIRS, and Queenmaker Book Two, SHAKING THE THRONE, for half price on Kindle all month! Here is all you need to know –

The moderate man shall inherit the kingdom.

That man needs to be the Queenmaker.

London 1529 – Cardinal Wolsey has ruled England in King Henry VIII’s name for most of his reign. Now Henry wants to leave his extraordinary Spanish wife of twenty years, Queen Katherine, to marry Anne Boleyn and secure a male heir for the kingdom. Only God can end a marriage, through his appointed voices on Earth, the powerful Cardinal Wolsey, and Cardinal Campeggio sent from Rome in the Pope’s place. Wolsey’s faithful attendant, commoner Thomas Cromwell, has the mind, the skills and the ambition to secure a royal annulment.

Cromwell’s forgotten past in Italy reappears with Campeggio’s new attendant, Nicóla Frescobaldi, the peculiar son of Cromwell’s former Italian master. While the great Cardinals of Christendom fight the King, the Pope and their God for an annulment, Cromwell and Frescobaldi hold the power over a country at war with its own conscience. Cromwell is called the double-minded man, whose golden eyes make money appear. Now Cromwell wants the power to destroy the Catholic Church in England. Frescobaldi is known as the waif-like creature, the Pope’s favourite companion, but Frescobaldi wants freedom from Pope Clement and his Medici family in Italy.

Cromwell and Frescobaldi will place themselves into the heart of religious and political influence as they strive to create an English queen, or lose their heads for their crimes and sinful secrets.

The moderate man shall inherit the kingdom.

That man needs to be the Queenmaker.

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the king’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the king on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, while Frescobaldi will have to make the ultimate sacrifice.

Click below for Amazon U.S / International 

Click below for Amazon U.K

and all other Amazon sites for your convenience

A Cromwell Adventure – Part 10: Henry Fitzroy

Seven days from now, SHAKING THE THRONE will be available! Today is part four of a ten-part series, letting you into the world of King Henry VIII’s Chief Minister Thomas Cromwell, and his master secretary Nicóla Frescobaldi, as they embark on part two of THE QUEENMAKER SERIES.

Part one of the series, FRAILTY OF HUMAN AFFAIRS, is out now, covering Cromwell and Frescobaldi in 1529 – 1533,  SHAKING THE THRONE, covering 1533-1536, will be available worldwide on October 1st. NO AMOUR AGAINST FATE shall cover 1537 – 1540 and will be released September 2019.

Let’s jump right in, but first, the synopsis –

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the King’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne, while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the King on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, Queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, but Frescobaldi will have to make the ultimate sacrifice.

Read part 1, part 2 and part 3 of the FAQ’s here, otherwise here we go…

Henry Fitzroy

Henry Fitzroy, Duke of Richmond and Somerset, 1519 -1536

In late 1518, Henry VIII’s glorious wife Queen Katherine was pregnant for the final time, and Henry was enjoying the company of his long-term mistress, teenager Elizabeth ‘Bessie’ Blount. Elizabeth was a maid to the Queen and Henry’s quiet mistress for about eight years, young and exceptionally beautiful. The only twist – Elizabeth got pregnant at the same time as Katherine. In November 1518, Katherine delivered of a girl, who sadly died after birth. It would be Katherine’s final child.

Elizabeth, however, continued her pregnancy and in June 1519, gave birth to a boy at Augustinian Priory of St Lawrence at Blackmore, which no doubt crushed poor Katherine. Henry though was thrilled, as it proved he was capable for making sons.

Henry grew uninterested in Elizabeth after the birth of their son, who was named Henry Fitzroy, meaning ‘son of the king’. Elizabeth was only around 17 when she gave birth, and went on to marry and have more children, while Fitzroy was raised in obscurity. But Fitzroy meant something to Henry, for he was the only illegitimate child the King ever acknowledged. Elizabeth may have given birth again in 1520, a daughter that may have been the King’s. Elizabeth never returned to the royal court as a mistress, as Henry had moved on to Mary Boleyn, while Elizabeth went on to give her husband many children.

Come June 1525, little Fitzroy was six, and his father made him a Knight of the Garter, and then Duke of Richmond and Somerset in a glorious spectacle at court. The King had already married off both Elizabeth Blount and Mary Boleyn, and was eager to celebrate his ability to have a boy. Little Fitzroy became Lord High Admiral of England, Lord President of the Council of the North, and Warden of the Marches towards Scotland. At age six, Fitzroy was the highest ranked man in the north of England.

Young Fitzroy went to live in Yorkshire, living like a prince and received a top quality education. The King even thought his son, known as handsome, intelligent and gentlemanly, fine enough to marry Henry’s daughter Princess Mary (yes, his own half-sister). Even the Pope was ready to let the siblings wed for the sake of the throne. Luckily, for Fitzroy, Princess Mary and genetics in general, Henry fell in live with Anne Boleyn, and instead thought he could save this throne with Anne’s womb.

Fitzroy continued his quiet yet generous upbringing during his father’s angry divorce from Queen Katherine, never seeing his mother, but reports of his life reached his father, who adored his son. In 1532, Fitzroy met the French king, and corresponded with the Scots king. By November 1533, Fitzroy was married to Lady Mary Howard, daughter to the Duke of Norfolk. It was a celibate marriage, to spare Fitzroy’s health, as the King believed sex had contributed to his brother Arthur’s death.

Fitzroy spent no time with his wife, but rather her brother, Thomas Howard, Earl of Surrey. Fitzroy was living in London at St. James’ Palace in the mid-1530’s, when he was called to sit on the jury at the trial of Anne Boleyn. Fitzroy watched his stepmother executed and then attended his father’s marriage to Jane Seymour two weeks later.

In this turbulent time, young Fitzroy was ill. He suffered chest infections and a nasty cough many times, but now couldn’t shake off his illness. Just a month after his 17th birthday, Fitzroy was bedridden with consumption, and died at St. James’ Palace. Some claimed poison, so Fitzroy could not be elevated over Princess Mary or baby Princess Elizabeth in the line of succession, but no proof ever appeared as Henry refused an autopsy.

King Henry, in his raw grief, ordered Fitzroy’s death hushed up, and the Duke of Norfolk sent Fitzroy’s body 80 miles north to Thetford Priory, where Fitzroy was buried with no dignity. Days later, the grieving King screamed at the burial, regretting, or even forgetting, his own decision, and it was a turning point in Henry’s behaviour in his final decade. Henry had only told Fitzroy month earlier that he felt grateful he and Princess Mary had been saved from the clutches of Anne Boleyn, but now his perfect son was gone.

Once the dissolution of the monasteries reached Thetford Priory, Fitzroy was moved to St. Michael’s Church, Framlingham in  Suffolk, and was only joined by his wife in 1557, after never marrying and shunning royal life.

Fitzroy is a central character in SHAKING THE THRONE as the cherished only son of King Henry, the never-King of England.

Tomorrow – themes in the novel: Sir Thomas More, Bishop John Fisher and Elizabeth Barton

FRAILTY OF HUMAN AFFAIRS, the first edition in the Queenmaker trilogy, is available worldwide in paperback and on Kindle now.

FROM NOW UNTIL OCTOBER 1ST, GET BOOK ONE FOR 50% off on Kindle.

A Cromwell Adventure – Part 8: Author Q+A2 – The Classic FAQ’s

Nine days from now, SHAKING THE THRONE will be available! Today is part two of a ten-part series, letting you into the world of King Henry VIII’s Chief Minister Thomas Cromwell, and his master secretary Nicóla Frescobaldi, as they embark on part two of THE QUEENMAKER SERIES.

Part one of the series, FRAILTY OF HUMAN AFFAIRS, is out now, covering Cromwell and Frescobaldi in 1529 – 1533,  SHAKING THE THRONE, covering 1533-1536, will be available worldwide on October 1st. NO AMOUR AGAINST FATE shall cover 1537 – 1540 and will be released September 2019.

Let’s jump right in, with answers to the most commonly asked questions about the adventures of Cromwell and Frescobaldi, in order of most common FAQ’s, but first, the synopsis –

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the King’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne, while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the King on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, Queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, but Frescobaldi will have to make the ultimate sacrifice.

Read part 1 of the FAQ’s here, otherwise here we go…

DO I NEED TO KNOW ALL ABOUT THE TUDOR PERIOD TO READ THE SERIES?

I realise there are a large number of my readers who do not read much in terms of Tudor fiction. Whether you’ve come here from the Canna Medici series or from Secrets of Spain, or are new to my work, you can read the Queenmaker series. I have tried to write the series in way that caters for the broad range of readers who buy my books.

There are a large number of characters in this series, as I feel that no one in history could be left out. Plus, I have chapters which have half a dozen Thomases sitting around a table, so I always double down on making sure it is clear who is who, etc. If you know the Tudor period, you will have no trouble; if you are new, you should be able to keep up.

I do recommend reading the books in the order I wrote them. You could read them out of order, though if you read SHAKING THE THRONE first, you may not fully understand the dynamic of Cromwell and Frescobaldi.

WHAT ABOUT FRESCOBALDI’S SISTER?

Nicòletta Frescobaldi is the Duchess of Florence. The historical figure of Alessandro de’Medici, Duke of Florence, is written as faithfully as possible (here is a great book on ‘The Moor’).  The Duke did marry Margarete of Austria and have a mistress name Taddea who had his children, rather than his wife. The marriage between Nicòletta and Alessandro is pure fiction. Alessandro de’Medici was the alleged son of Pope Clement, and Nicòletta/Nicòla bind them all together. As Alessandro was faithful to no one, not even his favourite mistress, it is not inconceivable that he would keep a wife outside of Florence, hidden away from everyone. That theory allows me to write the Duchess as hidden from sight, and unable to keep her bastard daughter Giovanna. Of course, Nicòletta and Nicòla are the same person, as Nicòla is the sole surviving Frescobaldi family member.

CAN A WOMAN TRULY PRETEND TO BE A MAN?

You only have to look at many names in history to find it is entirely possible. Elisa Bernerström, Saint Marina, Hua Mulan, Hatshepsut, Hannah Snell, Margaret Ann Bulkley, Chevalier d’Eon… the list goes on. It is less about appearance, and more about confidence in pretending to be a man. In a world where men are powerful and women are not even human, it is easy to imagine women adopting new lives so they can live, rather than simply survive.

FRESCOBALDI SAYS “THE MIND OF A MAN IN THE BODY OF A WOMAN.” IS FRESCOBALDI A MAN TRAPPED IN THE WRONG BODY? IS IT RUDE TO ASK THE QUESTION?

In this instance, no, it’s not rude. Nicòla has a female body and a ‘male mind’, as it was thought, at that time, that educating a woman was folly, for they had no imperative other than reproduction. Frescobaldi certainly believes herself a woman, thinks and acts as a woman, but is considered the fantastical creature because it is impossible for a woman to be so naturally intelligent, cunning and capable (so they thought in the 1500’s). Queen Elizabeth I had to routinely say her weak female form was something she managed to overcome. We now know women are just as smart as any man, as capable, as powerful. Frescobaldi believes she has a male mind because that is what she has been told her entire life. Frescobaldi believes herself wholly a woman.

WERE CROMWELL AND HENRY VIII REALLY GOOD FRIENDS?

It is impossible to say for certain. Cromwell definitely gave the King everything he wanted, whenever he wanted it. I personally wrote Henry as a man ready to trust, ready to befriend, despite having been hurt before, the same way he never gave up on love (or what he thought was love). Cromwell was not a stuffy, boring politician – he was widely known as the king of parties and lavish events, hosted the King and everyone of note in England in his manors, was generous, charming, and kept swathes of birds in his Austin Friars garden, along with the ‘beast’ to entertain his guests (I wrote the beast as a leopard for the purpose of the story). I find it entirely possible Henry and Cromwell would have established a bond over the long periods they would have spent together.

Up tomorrow, the last few FAQ’s before we then head into details on the themes featured in the Queenmaker series. 

FRAILTY OF HUMAN AFFAIRS, the first edition in the Queenmaker trilogy, is available worldwide in paperback and on Kindle now.

FROM NOW UNTIL OCTOBER 1ST, GET BOOK ONE FOR 50% off on Kindle.

The moderate man shall inherit the kingdom. That man needs to be the Queenmaker.

London 1529 – Cardinal Wolsey has ruled England in King Henry VIII’s name for most of his reign. Now Henry wants to leave his extraordinary Spanish wife of twenty years, Queen Katherine, to marry Anne Boleyn and secure a male heir for the kingdom. Only God can end a marriage, through his appointed voices on Earth, the powerful Cardinal Wolsey, and Cardinal Campeggio sent from Rome in the Pope’s place. Wolsey’s faithful attendant, commoner Thomas Cromwell, has the mind, the skills and the ambition to secure a royal annulment.

Cromwell’s forgotten past in Italy reappears with Campeggio’s new attendant, Nicóla Frescobaldi, the peculiar son of Cromwell’s former Italian master. While the great Cardinals of Christendom fight the King, the Pope and their God for an annulment, Cromwell and Frescobaldi hold the power over a country at war with its own conscience. Cromwell is called the double-minded man, whose golden eyes make money appear. Now Cromwell wants the power to destroy the Catholic Church in England. Frescobaldi is known as the waif-like creature, the Pope’s favourite companion, but Frescobaldi wants freedom from Pope Clement and his Medici family in Italy.

Cromwell and Frescobaldi will place themselves into the heart of religious and political influence as they strive to create an English queen, or lose their heads for their crimes and sinful secrets.

A Cromwell Adventure – Part 7: Author Q+A1 – The Classic FAQ’s

Ten days from now, SHAKING THE THRONE will be available! Today is part one of a ten-part series, letting you into the world of King Henry VIII’s Chief Minister Thomas Cromwell, and his master secretary Nicóla Frescobaldi, as they embark on part two of THE QUEENMAKER SERIES.

Part one of the series, FRAILTY OF HUMAN AFFAIRS, is out now, covering Cromwell and Frescobaldi in 1529 – 1533,  SHAKING THE THRONE, covering 1533-1536, will be available worldwide on October 1st. NO AMOUR AGAINST FATE shall cover 1537 – 1540 and will be released September 2019.

Let’s jump right in, with answers to the most commonly asked questions about the adventures of Cromwell and Frescobaldi, in order of most common FAQ’s, but first, the synopsis –

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the King’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne, while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the King on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, Queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, but Frescobaldi will have to make the ultimate sacrifice.

ISN’T “NICOLA” A FEMALE NAME?

In short? No.

The long story? When people read or hear about the story of Cromwell and Frescobaldi, they read/hear “Nicola.” But Frescobaldi, being Italian, is “Nicòla,” which is a traditional Italian name for men of the nobility (ending in “a” gave English speakers the wrong impression it was feminine, but never was). The Frescobaldi family, which has suffered from war and illness, is down to only two people, Nicòla Frescobaldi and his sister, Nicòletta Frescobaldi. But, given the storyline, I chose the character name of Nicòla so a reader can identify with either male or female when reading the name, as Nicòla’s sexuality and orientation is a prime part of the storyline.

WHO IS THOMAS CROMWELL?

I am surprised anyone still asks this question, though go back ten years and plenty of people wouldn’t have a clue. Thomas Cromwell was low-born man born in around 1485, who ran away from home in Putney, England, at around 15. Cromwell went on a long and undocumented adventure through Italy, before returning to England around 10-15 years later, to work for a cardinal. Cromwell was an extraordinary man for any time period; he amassed a thorough education for a man of no means, and caught the eye of King Henry VIII, who was in need of a legal mind to secure his annulment to Queen Katherine. The ability to dismiss Katherine and install Anne Boleyn as queen made Cromwell one of the most powerful men in England’s political history. Click here to read all about Thomas Cromwell –  A Cromwell Adventure – Part 2 (opens new tab)

THOMAS CROMWELL IS A REAL HISTORICAL FIGURE, SO IS FRESCOBALDI A REAL HISTORICAL FIGURE TOO?

No, Frescobaldi is a fictional character in the series. All the characters in the book are real, and the timeline follows the real life events of the 1530’s, with the exception of Frescobaldi. When Cromwell was in Florence in the early 1500’s, he was begging in the streets, and caught the eye of Francesco Frescobaldi, a wealthy merchant who could speak English. The Frescobaldi family took young Cromwell in, and Nicòla Frescobaldi is the fictional son of the real man who saved  Cromwell. There is no historical record of Frescobaldi’s real-life children, though the family was a central figure in merchant Florence for several hundred years.

WHAT IS THE QUEENMAKER SERIES ALL ABOUT?

The Queenmaker series is based on Cromwell and Frescobaldi’s relationship. Frescobaldi arrives in England in May 1529, as an attendant to powerful Cardinal Campeggio. But Frescobaldi is no humble servant, for Frescobaldi is the favourite of Pope Clement VII, and is sent to spy on, and manipulate, Thomas Cromwell, the secretary of England’s powerful Cardinal Wolsey. Frescobaldi believes that Thomas Cromwell, who once lived in the Frescobaldi manor, was Niccolò Machiavelli’s muse when he wrote “The Prince” in the early 1510’s. Cromwell denies this, and yet displays all of Machiavelli’s traits and beliefs. Cromwell and Frescobaldi are bound together by their love and admiration for patriarch Francesco Frescobaldi, and soon find they are two similar minds – Cromwell, a common man placed in a position far higher than he should be, and Frescobaldi, an astute mind trapped in a ‘weak’ body. Between the pair, they can create any queen, destroy a religion, change any laws, and behead any enemy.

WHY READ ANOTHER BOOK ABOUT THOMAS CROMWELL?

This work of fiction is unique in that the books alternate between the POV of Cromwell and Frescobaldi. What Cromwell did to England – destroying the Catholic faith, implementing Protestantism, destroying the monasteries, removing Queen Katherine for Anne Boleyn, beheading Anne Boleyn for Jane Seymour, and replacing Jane Seymour with Anne of Cleves – is well known. But little of what Cromwell was thinking is known when he did all these things. Cromwell sat in obscurity for four hundred years, only to be dug from the archives as a villain, and recently has been rewritten as a hero. The Queenmaker Series does neither, as Cromwell can be compassionate, but he can also be cold. Ultimately, he serves his king and himself.

The book also tells the story from Frescobaldi’s POV, the “Waif”, Cromwell’s creature, who scurries about court in silence, always following Cromwell and doing his bidding. Frescobaldi is incredibly tough, intelligent  and well-connected. While Frescobaldi is mocked at court for being an effeminate creature, Frescobaldi has connections to Henry, Katherine, Anne, Cranmer, Fitzroy, More, Wyatt, Smeaton, Chapuys and plenty more central figures in Europe in the 1530’s.

HOW ACCURATE IS THE FICTIONAL SERIES IN TERMS OF HISTORICAL EVENTS?

I have battled to make sure the events, details, people involved,  locations, facts and the outcomes are as accurate as possible, based on all the research I have done, the result of many different sources. While the relationship between Cromwell and Frescobaldi is different from reality (obviously), Cromwell’s life, family, work, creations, and the changes to England’s landscape are all carefully laid out. There are 1001 books on Anne Boleyn and her demise, a central theme in this book (SHAKING THE THRONE is based on England 1533-1536), so this book tells the story through the eyes of Cromwell and Frescobaldi, rather than Anne.

Tomorrow – Part 2: more truth v reality in the 1530’s, what order to read the Queenmaker series,  Cromwell’s relationship with Wolsey and Henry, Frescobaldi’s sister, historical source used,  and more…

FRAILTY OF HUMAN AFFAIRS, the first edition in the Queenmaker trilogy, is available worldwide in paperback and on Kindle now.

FROM NOW UNTIL OCTOBER 1ST, GET BOOK ONE FOR 50% off ON KINDLE.

The moderate man shall inherit the kingdom. That man needs to be the Queenmaker.

London 1529 – Cardinal Wolsey has ruled England in King Henry VIII’s name for most of his reign. Now Henry wants to leave his extraordinary Spanish wife of twenty years, Queen Katherine, to marry Anne Boleyn and secure a male heir for the kingdom. Only God can end a marriage, through his appointed voices on Earth, the powerful Cardinal Wolsey, and Cardinal Campeggio sent from Rome in the Pope’s place. Wolsey’s faithful attendant, commoner Thomas Cromwell, has the mind, the skills and the ambition to secure a royal annulment.

Cromwell’s forgotten past in Italy reappears with Campeggio’s new attendant, Nicóla Frescobaldi, the peculiar son of Cromwell’s former Italian master. While the great Cardinals of Christendom fight the King, the Pope and their God for an annulment, Cromwell and Frescobaldi hold the power over a country at war with its own conscience. Cromwell is called the double-minded man, whose golden eyes make money appear. Now Cromwell wants the power to destroy the Catholic Church in England. Frescobaldi is known as the waif-like creature, the Pope’s favourite companion, but Frescobaldi wants freedom from Pope Clement and his Medici family in Italy.

Cromwell and Frescobaldi will place themselves into the heart of religious and political influence as they strive to create an English queen, or lose their heads for their crimes and sinful secrets.