A Cromwell Adventure – Part 9: Author Q+A3 – The Classic FAQ’s

Eight days from now, SHAKING THE THRONE will be available! Today is part three of a ten-part series, letting you into the world of King Henry VIII’s Chief Minister Thomas Cromwell, and his master secretary Nicóla Frescobaldi, as they embark on part two of THE QUEENMAKER SERIES.

Part one of the series, FRAILTY OF HUMAN AFFAIRS, is out now, covering Cromwell and Frescobaldi in 1529 – 1533,  SHAKING THE THRONE, covering 1533-1536, will be available worldwide on October 1st. NO ARMOUR AGAINST FATE shall cover 1537 – 1540 and will be released September 2019.

Let’s jump right in, with answers to the most commonly asked questions about the adventures of Cromwell and Frescobaldi, in order of most common FAQ’s, but first, the synopsis –

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the King’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne, while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the King on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, Queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, but Frescobaldi will have to make the ultimate sacrifice.

Read part 1 and part 2 of the FAQ’s here, otherwise here are the final FAQ’s…

WHY DO YOU LIKE THOMAS CROMWELL SO MUCH?

What’s not to like about my book-husband, Thomas? It is often said that Shakespeare ripped off everything he ever wrote, and his rags-to-riches genius life story was even a rip-off… of Thomas Cromwell’s story. Cromwell started with a standard life, born into a simple family in 1485, and yet managed to get himself into Europe as a soldier in the French army to fight the Italians, in a time when a large portion of the population never left the village they were born into. Cromwell managed to survive a slaughter, and make it to Florence, where he started a new life, educating and enriching himself enough to return to England and into the household of Cardinal Thomas Wolsey, England’s most powerful man. Cromwell rose as Wolsey rose, and managed to escape a brutal fall from grace upon Wolsey’s death. Cromwell then went on to create and destroy queens, rush the Reformation into England and completely changed the laws of England, all in the same decade. He went from common to Earl in a handful of years, only to be spectacularly hacked to death on the block. Who else can claim such a great story?

DO YOU HAVE A LOT OF ROMANCE IN YOUR TUDOR NOVELS?

I am surprised how often people ask this question. There is an element of love in the book, but it’s all PG rated and only an undercurrent, part of a strong political life. Romance is not a big theme of the series.

IS IT HARD TO WRITE HISTORICAL FIGURES AND EVENTS, SINCE YOU HAVE TO FOLLOW AN EXACT STORYLINE?

I have an awful lot of freedom within the timeline of Cromwell’s life. While the people and events are real, how Cromwell and Frescobaldi can view it, can feel, can react is still free to explore. From the outset I knew how the story had to end, but everything that happens is seen through a new Cromwell and also through Frescobaldi.

WILL IT BE HARD TO KILL CROMWELL IN THE LAST BOOK?

I accepted from the beginning that I had to kill Cromwell in a brutal, violent, vicious end. I have devised a way to get through that without feeling as bad. I will feel very bad for Cromwell, and even worse from Frescobaldi. I thought I would feel bad killing Anne Boleyn, but that was quite easy.

WHAT FUN THINGS HAPPEN WHEN YOU WRITE?

I write a pretty serious series at the moment, so characters are usually killing people, imprisoning people, torturing people, watching people suffer. Finding fun moments can be hard to come by, so I have to add in little jokes where I can. One fun thing that happens? When I write a character is feeling tired, I tend to start yawning. Now I’ve written yawn, I’m yawning.

Tomorrow – themes in the novel: Who is Henry Fitzroy?

FRAILTY OF HUMAN AFFAIRS, the first edition in the Queenmaker trilogy, is available worldwide in paperback and on Kindle now.

FROM NOW UNTIL OCTOBER 1ST, GET BOOK ONE FOR 50% off on Kindle.

A Cromwell Adventure – Part 8: Author Q+A2 – The Classic FAQ’s

Nine days from now, SHAKING THE THRONE will be available! Today is part two of a ten-part series, letting you into the world of King Henry VIII’s Chief Minister Thomas Cromwell, and his master secretary Nicóla Frescobaldi, as they embark on part two of THE QUEENMAKER SERIES.

Part one of the series, FRAILTY OF HUMAN AFFAIRS, is out now, covering Cromwell and Frescobaldi in 1529 – 1533,  SHAKING THE THRONE, covering 1533-1536, will be available worldwide on October 1st. NO ARMOUR AGAINST FATE shall cover 1537 – 1540 and will be released September 2019.

Let’s jump right in, with answers to the most commonly asked questions about the adventures of Cromwell and Frescobaldi, in order of most common FAQ’s, but first, the synopsis –

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the King’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne, while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the King on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, Queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, but Frescobaldi will have to make the ultimate sacrifice.

Read part 1 of the FAQ’s here, otherwise here we go…

DO I NEED TO KNOW ALL ABOUT THE TUDOR PERIOD TO READ THE SERIES?

I realise there are a large number of my readers who do not read much in terms of Tudor fiction. Whether you’ve come here from the Canna Medici series or from Secrets of Spain, or are new to my work, you can read the Queenmaker series. I have tried to write the series in way that caters for the broad range of readers who buy my books.

There are a large number of characters in this series, as I feel that no one in history could be left out. Plus, I have chapters which have half a dozen Thomases sitting around a table, so I always double down on making sure it is clear who is who, etc. If you know the Tudor period, you will have no trouble; if you are new, you should be able to keep up.

I do recommend reading the books in the order I wrote them. You could read them out of order, though if you read SHAKING THE THRONE first, you may not fully understand the dynamic of Cromwell and Frescobaldi.

WHAT ABOUT FRESCOBALDI’S SISTER?

Nicòletta Frescobaldi is the Duchess of Florence. The historical figure of Alessandro de’Medici, Duke of Florence, is written as faithfully as possible (here is a great book on ‘The Moor’).  The Duke did marry Margarete of Austria and have a mistress name Taddea who had his children, rather than his wife. The marriage between Nicòletta and Alessandro is pure fiction. Alessandro de’Medici was the alleged son of Pope Clement, and Nicòletta/Nicòla bind them all together. As Alessandro was faithful to no one, not even his favourite mistress, it is not inconceivable that he would keep a wife outside of Florence, hidden away from everyone. That theory allows me to write the Duchess as hidden from sight, and unable to keep her bastard daughter Giovanna. Of course, Nicòletta and Nicòla are the same person, as Nicòla is the sole surviving Frescobaldi family member.

CAN A WOMAN TRULY PRETEND TO BE A MAN?

You only have to look at many names in history to find it is entirely possible. Elisa Bernerström, Saint Marina, Hua Mulan, Hatshepsut, Hannah Snell, Margaret Ann Bulkley, Chevalier d’Eon… the list goes on. It is less about appearance, and more about confidence in pretending to be a man. In a world where men are powerful and women are not even human, it is easy to imagine women adopting new lives so they can live, rather than simply survive.

FRESCOBALDI SAYS “THE MIND OF A MAN IN THE BODY OF A WOMAN.” IS FRESCOBALDI A MAN TRAPPED IN THE WRONG BODY? IS IT RUDE TO ASK THE QUESTION?

In this instance, no, it’s not rude. Nicòla has a female body and a ‘male mind’, as it was thought, at that time, that educating a woman was folly, for they had no imperative other than reproduction. Frescobaldi certainly believes herself a woman, thinks and acts as a woman, but is considered the fantastical creature because it is impossible for a woman to be so naturally intelligent, cunning and capable (so they thought in the 1500’s). Queen Elizabeth I had to routinely say her weak female form was something she managed to overcome. We now know women are just as smart as any man, as capable, as powerful. Frescobaldi believes she has a male mind because that is what she has been told her entire life. Frescobaldi believes herself wholly a woman.

WERE CROMWELL AND HENRY VIII REALLY GOOD FRIENDS?

It is impossible to say for certain. Cromwell definitely gave the King everything he wanted, whenever he wanted it. I personally wrote Henry as a man ready to trust, ready to befriend, despite having been hurt before, the same way he never gave up on love (or what he thought was love). Cromwell was not a stuffy, boring politician – he was widely known as the king of parties and lavish events, hosted the King and everyone of note in England in his manors, was generous, charming, and kept swathes of birds in his Austin Friars garden, along with the ‘beast’ to entertain his guests (I wrote the beast as a leopard for the purpose of the story). I find it entirely possible Henry and Cromwell would have established a bond over the long periods they would have spent together.

Up tomorrow, the last few FAQ’s before we then head into details on the themes featured in the Queenmaker series. 

FRAILTY OF HUMAN AFFAIRS, the first edition in the Queenmaker trilogy, is available worldwide in paperback and on Kindle now.

FROM NOW UNTIL OCTOBER 1ST, GET BOOK ONE FOR 50% off on Kindle.

The moderate man shall inherit the kingdom. That man needs to be the Queenmaker.

London 1529 – Cardinal Wolsey has ruled England in King Henry VIII’s name for most of his reign. Now Henry wants to leave his extraordinary Spanish wife of twenty years, Queen Katherine, to marry Anne Boleyn and secure a male heir for the kingdom. Only God can end a marriage, through his appointed voices on Earth, the powerful Cardinal Wolsey, and Cardinal Campeggio sent from Rome in the Pope’s place. Wolsey’s faithful attendant, commoner Thomas Cromwell, has the mind, the skills and the ambition to secure a royal annulment.

Cromwell’s forgotten past in Italy reappears with Campeggio’s new attendant, Nicóla Frescobaldi, the peculiar son of Cromwell’s former Italian master. While the great Cardinals of Christendom fight the King, the Pope and their God for an annulment, Cromwell and Frescobaldi hold the power over a country at war with its own conscience. Cromwell is called the double-minded man, whose golden eyes make money appear. Now Cromwell wants the power to destroy the Catholic Church in England. Frescobaldi is known as the waif-like creature, the Pope’s favourite companion, but Frescobaldi wants freedom from Pope Clement and his Medici family in Italy.

Cromwell and Frescobaldi will place themselves into the heart of religious and political influence as they strive to create an English queen, or lose their heads for their crimes and sinful secrets.

A Cromwell Adventure – Part 7: Author Q+A1 – The Classic FAQ’s

Ten days from now, SHAKING THE THRONE will be available! Today is part one of a ten-part series, letting you into the world of King Henry VIII’s Chief Minister Thomas Cromwell, and his master secretary Nicóla Frescobaldi, as they embark on part two of THE QUEENMAKER SERIES.

Part one of the series, FRAILTY OF HUMAN AFFAIRS, is out now, covering Cromwell and Frescobaldi in 1529 – 1533,  SHAKING THE THRONE, covering 1533-1536, will be available worldwide on October 1st. NO ARMOUR AGAINST FATE shall cover 1537 – 1540 and will be released September 2019.

Let’s jump right in, with answers to the most commonly asked questions about the adventures of Cromwell and Frescobaldi, in order of most common FAQ’s, but first, the synopsis –

November 1533 – Thomas Cromwell and Nicóla Frescobaldi have their queen on the throne. The Catholic Church is being destroyed as the Reformation looms over England. Cromwell has total power at court and in parliament, while Frescobaldi wins favour with the King’s illegitimate son, Henry Fitzroy.

But England’s fate is uncertain. The nobles still despise Cromwell and his Italian creature. Anne has not given the king a son. Queen Katherine refuses to give up her title, and Thomas More and Bishop Fisher defy their king. The final Plantagenets think they should hold the throne, while the Catholics want Princess Mary named as heir.

England can be reformed, but Cromwell must dissolve all the monasteries and abbeys, and with the King on his side, the plan to change religion will sever heads. Queen Anne is losing Henry’s love, but Cromwell could suffer if Anne loses her crown. Frescobaldi creates a daring plan to replace Anne and regain the Pope’s favour, but Cromwell must execute the plans on his own. Schemes will go astray and the wrong heads will be severed to satisfy a vengeful sovereign.

Kings will rise, Queens shall fall, children will perish, and the people of England will march in a pilgrimage to take Cromwell’s head, but Frescobaldi will have to make the ultimate sacrifice.

ISN’T “NICOLA” A FEMALE NAME?

In short? No.

The long story? When people read or hear about the story of Cromwell and Frescobaldi, they read/hear “Nicola.” But Frescobaldi, being Italian, is “Nicòla,” which is a traditional Italian name for men of the nobility (ending in “a” gave English speakers the wrong impression it was feminine, but never was). The Frescobaldi family, which has suffered from war and illness, is down to only two people, Nicòla Frescobaldi and his sister, Nicòletta Frescobaldi. But, given the storyline, I chose the character name of Nicòla so a reader can identify with either male or female when reading the name, as Nicòla’s sexuality and orientation is a prime part of the storyline.

WHO IS THOMAS CROMWELL?

I am surprised anyone still asks this question, though go back ten years and plenty of people wouldn’t have a clue. Thomas Cromwell was low-born man born in around 1485, who ran away from home in Putney, England, at around 15. Cromwell went on a long and undocumented adventure through Italy, before returning to England around 10-15 years later, to work for a cardinal. Cromwell was an extraordinary man for any time period; he amassed a thorough education for a man of no means, and caught the eye of King Henry VIII, who was in need of a legal mind to secure his annulment to Queen Katherine. The ability to dismiss Katherine and install Anne Boleyn as queen made Cromwell one of the most powerful men in England’s political history. Click here to read all about Thomas Cromwell –  A Cromwell Adventure – Part 2 (opens new tab)

THOMAS CROMWELL IS A REAL HISTORICAL FIGURE, SO IS FRESCOBALDI A REAL HISTORICAL FIGURE TOO?

No, Frescobaldi is a fictional character in the series. All the characters in the book are real, and the timeline follows the real life events of the 1530’s, with the exception of Frescobaldi. When Cromwell was in Florence in the early 1500’s, he was begging in the streets, and caught the eye of Francesco Frescobaldi, a wealthy merchant who could speak English. The Frescobaldi family took young Cromwell in, and Nicòla Frescobaldi is the fictional son of the real man who saved  Cromwell. There is no historical record of Frescobaldi’s real-life children, though the family was a central figure in merchant Florence for several hundred years.

WHAT IS THE QUEENMAKER SERIES ALL ABOUT?

The Queenmaker series is based on Cromwell and Frescobaldi’s relationship. Frescobaldi arrives in England in May 1529, as an attendant to powerful Cardinal Campeggio. But Frescobaldi is no humble servant, for Frescobaldi is the favourite of Pope Clement VII, and is sent to spy on, and manipulate, Thomas Cromwell, the secretary of England’s powerful Cardinal Wolsey. Frescobaldi believes that Thomas Cromwell, who once lived in the Frescobaldi manor, was Niccolò Machiavelli’s muse when he wrote “The Prince” in the early 1510’s. Cromwell denies this, and yet displays all of Machiavelli’s traits and beliefs. Cromwell and Frescobaldi are bound together by their love and admiration for patriarch Francesco Frescobaldi, and soon find they are two similar minds – Cromwell, a common man placed in a position far higher than he should be, and Frescobaldi, an astute mind trapped in a ‘weak’ body. Between the pair, they can create any queen, destroy a religion, change any laws, and behead any enemy.

WHY READ ANOTHER BOOK ABOUT THOMAS CROMWELL?

This work of fiction is unique in that the books alternate between the POV of Cromwell and Frescobaldi. What Cromwell did to England – destroying the Catholic faith, implementing Protestantism, destroying the monasteries, removing Queen Katherine for Anne Boleyn, beheading Anne Boleyn for Jane Seymour, and replacing Jane Seymour with Anne of Cleves – is well known. But little of what Cromwell was thinking is known when he did all these things. Cromwell sat in obscurity for four hundred years, only to be dug from the archives as a villain, and recently has been rewritten as a hero. The Queenmaker Series does neither, as Cromwell can be compassionate, but he can also be cold. Ultimately, he serves his king and himself.

The book also tells the story from Frescobaldi’s POV, the “Waif”, Cromwell’s creature, who scurries about court in silence, always following Cromwell and doing his bidding. Frescobaldi is incredibly tough, intelligent  and well-connected. While Frescobaldi is mocked at court for being an effeminate creature, Frescobaldi has connections to Henry, Katherine, Anne, Cranmer, Fitzroy, More, Wyatt, Smeaton, Chapuys and plenty more central figures in Europe in the 1530’s.

HOW ACCURATE IS THE FICTIONAL SERIES IN TERMS OF HISTORICAL EVENTS?

I have battled to make sure the events, details, people involved,  locations, facts and the outcomes are as accurate as possible, based on all the research I have done, the result of many different sources. While the relationship between Cromwell and Frescobaldi is different from reality (obviously), Cromwell’s life, family, work, creations, and the changes to England’s landscape are all carefully laid out. There are 1001 books on Anne Boleyn and her demise, a central theme in this book (SHAKING THE THRONE is based on England 1533-1536), so this book tells the story through the eyes of Cromwell and Frescobaldi, rather than Anne.

Tomorrow – Part 2: more truth v reality in the 1530’s, what order to read the Queenmaker series,  Cromwell’s relationship with Wolsey and Henry, Frescobaldi’s sister, historical source used,  and more…

FRAILTY OF HUMAN AFFAIRS, the first edition in the Queenmaker trilogy, is available worldwide in paperback and on Kindle now.

FROM NOW UNTIL OCTOBER 1ST, GET BOOK ONE FOR 50% off ON KINDLE.

The moderate man shall inherit the kingdom. That man needs to be the Queenmaker.

London 1529 – Cardinal Wolsey has ruled England in King Henry VIII’s name for most of his reign. Now Henry wants to leave his extraordinary Spanish wife of twenty years, Queen Katherine, to marry Anne Boleyn and secure a male heir for the kingdom. Only God can end a marriage, through his appointed voices on Earth, the powerful Cardinal Wolsey, and Cardinal Campeggio sent from Rome in the Pope’s place. Wolsey’s faithful attendant, commoner Thomas Cromwell, has the mind, the skills and the ambition to secure a royal annulment.

Cromwell’s forgotten past in Italy reappears with Campeggio’s new attendant, Nicóla Frescobaldi, the peculiar son of Cromwell’s former Italian master. While the great Cardinals of Christendom fight the King, the Pope and their God for an annulment, Cromwell and Frescobaldi hold the power over a country at war with its own conscience. Cromwell is called the double-minded man, whose golden eyes make money appear. Now Cromwell wants the power to destroy the Catholic Church in England. Frescobaldi is known as the waif-like creature, the Pope’s favourite companion, but Frescobaldi wants freedom from Pope Clement and his Medici family in Italy.

Cromwell and Frescobaldi will place themselves into the heart of religious and political influence as they strive to create an English queen, or lose their heads for their crimes and sinful secrets.

HELP! AMAZON DELETED ALL MY REVIEWS! GRAB A FREE COPY AND SAVE AN AUTHOR!

The moderate man shall inherit the kingdom.

That man needs to be the Queenmaker.

London 1529 – Cardinal Wolsey has ruled England in King Henry VIII’s name for most of his reign. Now Henry wants to leave Queen Katherine, his extraordinary Spanish wife of twenty years, to marry Anne Boleyn and secure a male heir for the kingdom. Only God can end a marriage, through his appointed voices on Earth, the powerful Cardinal Wolsey, and Cardinal Campeggio sent from Rome in the Pope’s place.

Wolsey’s faithful attendant, commoner Thomas Cromwell, has the mind, the skills and the ambition to secure a royal annulment. Cromwell’s forgotten past in Italy reappears with Campeggio’s new attendant, Nicóla Frescobaldi, the peculiar son of Cromwell’s former Italian master. While the great Cardinals of Christendom fight the King, the Pope and their God for an annulment, Cromwell and Frescobaldi hold the power over a country at war with its own conscience.

Cromwell is called the double-minded man, whose golden eyes make money appear. Now Cromwell wants the power to destroy the Catholic Church in England. Frescobaldi is known as the waif-like creature, the Pope’s favourite companion, but Frescobaldi wants freedom from Pope Clement and his Medici family in Italy.

Cromwell and Frescobaldi will place themselves into the heart of religious and political influence as they strive to create an English queen, or lose their heads for their crimes and sinful secrets.

Amazon has been deleting book reviews for various reasons for years. Recently, Amazon wanted to delete one of mine and “accidentally” ended up deleting ALL of them for my above book. Did they correct their deletions when I got in touch to see what the hell was going on? All lip service, not actual help. So I am starting over and would love your help.

From midnight PST (8am UK time, 9pm NZ time) on Saturday 9 June, until 11:59pm PST Sunday 10 June (8am UK, 9pm NZ June 11), you can get FRAILTY OF HUMAN AFFAIRS totally free on any Kindle site worldwide. At a whooping 600 pages, you are getting a whole lot of Thomas Cromwell and Nicola Frescóbaldi fiction to treat yourself.

Not sure how to download, or got a new device to read on? Just click on purchase on Amazon and the book will instantly download onto your Kindle. All other devices just need the free Kindle app installed. In minutes you can be reading Book One in the Queenmaker Series for free, to enjoy in the sun/snow, to help you avoid family members you hate, take with you on holiday, or just bask in the glow of historical fiction. All for free!

CLICK HERE FOR AMAZON US/WORLDWIDE

CLICK HERE FOR AMAZON UK

Still not sure? Click here and you can read the first chapter of FRAILTY OF HUMAN AFFAIRS right now without having to download a single thing. 

HISTORICAL BOOK REVIEW SERIES: ‘The Raven’s Widow: A Novel of Jane Boleyn’ by Adrienne Dillard

The river was as calm as I had ever seen it. Ordinarily, the tide would have been wild by this time of year, and woe unto any man unfortunate enough to fall into the fierce currents of the Thames. Tonight the tides were still, and the surface of the water appeared glassy. When I peered down into the dark depths, I saw my tired, drawn face wavering in the reflection. I quickly turned away as I fought back a wave of nausea, frightened by the anguish I saw etched there.

“Only a few moments more my lady, the Tower is just ahead.”


Jane Parker never dreamed that her marriage into the Boleyn family would raise her star to such dizzying heights. Before long, she finds herself as trusted servant and confidante to her sister-in-law, Anne Boleyn; King Henry VIII’s second queen. On a gorgeous spring day, that golden era is cut short by the swing of a sword. Jane is unmoored by the tragic death of her husband, George, and her loss sets her on a reckless path that leads to her own imprisonment in the Tower of London. Surrounded by the remnants of her former life, Jane must come to terms with her actions. In the Tower, she will face up to who she really is and how everything went so wrong.

cover and blurb via amazon

~~

No one with the name Boleyn has fared well through history or fiction, and Jane Boleyn is definitely no exception. In recent times, Jane has been pained as a snitch, a mean, meddling and jealous woman, one who helped get her husband beheaded. Here, Dillard sets out to paint a very different woman.

Jane Parker was born in around 1505 to Henry Parker, Baron Morley and Alice St John (so through her mother’s family, a distant relative of King Henry). By 1520 Jane was in service to Queen Katherine, and considered an attractive woman for her time. By 1525, marriage had been arranged to George Boleyn, brother of two women, Anne and Mary Boleyn, whom also served Queen Katherine. As the Boleyn family were of little consequence at the time, little is recorded about the marriage, or Jane herself. It seems they had a loving marriage, though no children were ever born to the pair. Here, possible miscarriages and losses are added to the book to gain a different insight with artistic licence.

After Mary Boleyn’s time as the king mistress ended, it was Anne’s turn to fall prey to Henry, whom loved her deeply right through the 1520’s, and it was then that the Boleyns rose in the court and public eye. By 1533, Anne was queen of England, and Jane was in her service, now Viscountess Rochford. No part of Jane’s life could have prepared her for such circumstances. Jane is written as caring, emotional, irrational but interesting through the trials of being the queen’s sister-in-law, through the eyes of a courtier not often chosen as a main protagonist.

History remembers Jane as the one who told Cromwell that Anne and George were committing incest to gain a child to claim as King Henry’s. But Jane n reality was a woman married to a man who was a womaniser (though is portrayed as kinder and more chaste in this book), and, when George lost his head, she had to plead and bow to regain favour.

In this book, as in life, Jane is a character who manages to survive, to serve Anne of Cleves and then Katherine Howard as queens, before Jane too loses her head for helping Queen Katherine set up dates with her secret lover in 1542. The twist in this book is how Jane is not written as the scheming bitch who happily served her husband and sister-in-law to the axe so she could continue to survive. Also, Jane’s breakdown right before death is also given a fresh look. A book for those who are on the look out for something new.